A class has only one instance and instantiates itself and provides this instance to the entire system.
老朽听说王穷少年聪慧，七岁能诗，九岁能文，有‘神童之美誉……他为人向来严肃端方、不苟言笑，这笑眯眯的模样看得众小辈们恶寒，浑身不得劲儿。
The 60% of the people, who live in the middle and lower classes of society and have no special achievements, expect their children to make great achievements in the future.
South Korean advertising model, actor, representative work of South Korean drama "Men in Pattern".
Part of the reason why we are unhappy is that we are not sincere enough. It is not easy to dare to love and hate. It takes courage to embrace you across the crowd and to tear your face regardless.
堡垒纪元2115年，边境部队出身的女少校“位沁”，来到中央堡垒参加天选者选拔，并因暗中追查“边境惨案”而屡遭暗杀。此时，堡垒头号公敌“元一”策动了一场诡谲浩大的反抗行动。一时间，各方势力都被卷入这场行动。
Proxy: Proxy is also a group of hosts that attackers invade and control. They run attacker programs on them and accept and run commands from the master. The proxy host is the executor of the attack and really sends the attack to the victim host.
该剧主要讲述男主人公肖逸、吴信、尹正风三人因死神失误被录入死亡名单，死神邀请其成为守灵人，只要协助死神拯救将死者待死亡系统恢复正常三人即可重生。故肖逸三人想方设法拯救错误录入死亡系统中的将死者，在不断救人的过程中，三人也愈发感受到生命的美好，心智在不断成长的故事。
L the building itself has the architectural characteristics of southern Fujian.
一对澳洲姐妹的怪诞冒险之旅，由澳版《瑞克和莫蒂》主创Michael Cusack操刀制作。
一时之间，大家都在期待十二月早日到来。
《杨光快乐生活2》续写幽默故事讲述杨光所房地产公司破产了因此杨光又一次失去了工作面临着从头再来：杨光自己投资开了家饭店却不慎把老本都赔进去；去参加影视培训班做起了演员梦到头来还竹篮打水一场空；工作不好找生活也不顺；家有宝贝却得而复失；开车兜风却遭遇车祸；好心好意给别人介绍对象自己却被折腾得乱七八糟。但好人有好报杨光依然快乐。
小栗旬,松山研一,杏,仲村亨,香川照之将主演TBS新剧《日本沉没：希望之人》(日本沈没-希望のひと-,暂译)。该剧对小松左京撰写的《日本沉没》进行了大胆的改编,桥本裕志([垫底辣妹])操刀剧本。小栗旬饰演日本环境省野心勃勃的官员天海启示,他一直在不择手段地推行着自己的政策,有时甚至是用强硬的手段。他参加了日本未来促进会,这场会议对香川照之饰演的物理学家的日本沉没理论展开讨论。该剧将于2021年10月播出。
《海洋喜欢我》是一部爱情剧，讲述了一位年轻的企业家经营着一家商店，梦想着创业，一位失败的音乐家回到了家乡。
国际贩毒集团潜入境内，黑恶势力助纣为虐！警方内线接连被杀！扫毒、扫黑行动立即展开……誓挖幕后秘秘首脑！！！兴安市发生一起凶杀案，浑身血污的谷少刚神情麻木的到派出所自首：我杀了人，我杀了人…… 情杀？！还是谋杀？！ 公安局重案队队长苏国强和他的探员们奉命前往调查。 与此同时，兴安市公安局接到命令：一个跨国贩毒集团，正在兴安市秘密筹划开辟一条国际贩毒通道。经多方调查，这个国际集团在中国的联系人，正是凶杀案中已经死去的辛森。 唯一的线索又中断了…… 根据情报分析，在兴安市有能力开辟贩毒通道的只有国华集团，而国华集团的总经理正是重案队队长苏国强的弟弟苏国能。 面对自己的兄弟，苏国强在法律的尊严和情感的矛盾交错中进行艰难的抉择……
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
本作监督一职将由佐藤顺一担任，曾执导「海物语」及「ARIA」等治愈题材的他，今次执导这种充满智力解谜的作品，对他来说可谓是一个新的挑战，始于风格始终不同，我们也真的不能想像这是一部怎样的作品了。另外，曾为「SKIP BEAT」及「潘多拉之心」等作负责系列构成的关岛真濑，将再一次为这部原创动画给力，关岛真濑一向也有很不错的表现，我们当然也期待着他在本作中同样有出色的表现。
