There is a passage in the video, which deeply hurt me.
网游荣耀中被誉为教科书级别的顶尖高手叶修，因为种种原因遭到俱乐部的驱逐，离开职业圈的他被兴欣网吧老板娘陈果收留，入职成为一个值夜班的网管。拥有十年游戏经验的叶修，并不打算放弃他所钟爱的“荣耀”，叶修重启ID账号“君莫笑”，手持一把未完成的自制武器千机伞，在荣耀新开的第十区重新投入游戏，开始了他重返巅峰的计划。 散人君莫笑在第十区大放异彩，而在十区开荒中，叶修结识了许多新的小伙伴，组成强大的团队，一起为了梦想踏上荣耀征途。
Using the professional knowledge we have learned and in combination with the relevant policies, laws and regulations formulated by the state, we have conducted in-depth and practical investigations into the farmers' understanding of "protecting their legitimate rights and interests". There are three major topics in the research:
SP讲述有一天，一具大约70、80岁的老人遗体被运送到兴云大学法医学教室，没有遗物与牙齿、指绞没建档无法判定身份，让朝颜（上野树里）想起某个事件。特别篇也会交代朝颜与丈夫・桑原（风间俊介）的相遇相识的过程。
Black line: jiuxiong* …
20 年前，Namthip (Benz饰)跟Chatree (Rome饰)在都是医学院的学生，两人互生好感坠入情网，约定毕业后结婚。生活却并没有按照两人的美好预想进行，一个名为Rithai(Namfon 饰)的美女介入了两人的恋情，Rithai虽早已知道Chatree是好朋友Namthip的男友，还是义无反顾的追求Chatree，两人发生了关系；为了抓牢Chatree，她称自己怀孕了，其实孩子真正的父亲是她的劈腿对象Bancha。
So far, the only report in the whole network that has really dug up the specific progress and product layout of SAIC Audi project. This report has a great influence in the automobile circle and has been reprinted and quoted by many mainstream media.
任务迫在眉睫，危急时刻，打入保密局内部的“鲨鱼”不得不冒死现身，目共两党展开了前所未有的情报斗争、隐蔽斗争……
真琴是个叛逆的高中女生，一次她便车时被车主非礼，经过的藤井清搭救了她。次日，在游行街道上，二人再次邂逅，阿清和真琴来到海边，阿清痛斥真琴对男人以及性的欲望对强暴了她。真琴并没有动怒，反倒是问询他为什么那么愤怒，阿清自己也说不清，只是觉得对一切都不满意。两人的叛逆以及莫名的同感相互吸引着对方。 阿清和一个中年有夫之妇有染，那个女人供养着阿清。当真琴等待阿清几日都不见其来电约自己，遂找上门去。阿清提出要和真琴分手，但酒吧里的流氓却要骚扰真琴，阿清为真琴大打出手，两人又再度和好。真琴不顾姐姐的反对，搬来
《神探夏洛克》是一部由BBC出品的英国迷你电视剧，该剧将原著的故事背景从19世纪大英帝国国势鼎盛的时期搬到了21世纪繁华热闹的大都市中。这一次夏洛克·福尔摩斯(本尼迪克特·康伯巴奇饰)不仅是著名大侦探更是一名时尚潮人。和他的好友兼得力助手约翰·华生（马丁·弗瑞曼饰）分别经历了离奇市民自杀案件、黑帮走私事件和倒计时炸弹杀人案。每一个案件看似独立其实都有联系，两人每解决一个案子，就又会出现新的难题和新的无辜受害者。经过抽丝剥茧，幕后黑手莫里亚蒂(安德鲁·斯科特饰)终于浮出水面，最后一集的交锋中，被炸弹和狙击枪威胁的夏洛克和华生该如何脱身，只能等到第二季让BBC来告诉大家了。
Collect
"No, the whole waist is broken and people are divided into two parts from the middle." Wang Zeduan said.
「究竟什么是幸福？」两人会做出怎样的选择呢？
《我的大叔》，探讨不同人的不同人生价值观，讲述承担生活重压的40多岁男性遇到和他过着完全不同生活，但也承受着生活重担的20多岁女性，走进彼此人生并相互治愈的内容。
Chen Yongfan, male, 29 years old, from Shanwei, lives in Shenzhen
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
板栗头脸涨红，目眦欲裂。
你在看什么？清秀妹子好奇问道。
