阿黃（王貽興飾）和Sunny（劉翁飾）是志同道合的好朋友，Sunny原是攝影師，阿黃原是作家，兩人因社會轉變，生活潦倒，人到中年，忽然記起社會打滾多年早已忘記了的夢想。Sunny渴望當導演，阿黃的夢想是當編劇，兩人苦心籌備了一條絕世好橋，就是用現今流行的VR虛擬技術來拍全亞洲第一套鬼片，可惜兩人見完一個又一個監製或者金主，都對他們的電影大綱興趣缺缺。兩人處處碰壁，唯獨一位基金經理覺得VR科技有利可圖，這概念在兩人心裡萌芽，漸漸發酵。夢想偏離航道，加上生活逼人，掙扎之際，Sunny舅父患有精神病，長期妄想妻子回魂，每天準時晚上八點零一分就會發瘋，重演當日妻子爭執跳樓慘劇。兩人靈機一觸，覺得研發驅魔捉鬼的VR App，應該大有可為。二人開始利用驅魔捉鬼的VR App到處招搖撞騙，錯有錯著為不少人解開心結……
A quick witted young man from the streets of South Central must rush a lily-white USC fraternity to recover a stash of stolen money.
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橙光游戏《遇龙》改编，讲述龙王和一个小丫鬟三生三世的爱情故事。
三生有幸与将军相识，在下先前语气太重，怕是略显浮夸，可正是因为在下真心，在下激动，才表现如此，望将军先暂且放下烦恼，给在下一炷香的时间。
这部8集剧围绕一个风景如画的水边小镇展开,那里潜伏着非常黑暗的秘密。拜伦湾,一个看上去宛若天堂的地方,但不久前,一个女孩在这里失踪了。每集故事会从不同角色的角度讲述。
本片为纪念徐向前元帅百年诞辰而作，同时寄托我们在新的世纪对共和国开国元勋的缅怀之情。徐帅作为山西人，也是北方唯一的元帅，一生充满传奇色彩。作为红四方面军的总指挥，他参与了人民军队的缔造，辉煌的战绩使他杰出的军事才能永载史册。荣辱不惊、忠诚执著、大智大勇、坚韧不拔，徐帅闪耀着理想之光的奋斗历程，构成了一代元戎灿烂群星中一道独特的风景。本片选取解放战争中的山西战场作为载体，通过运城、临汾、晋中和太原战……
《预言者》讲述了一个年轻的阿拉伯人被送进法国监狱，在这里他成为一个黑手党的首脑。
詹姆·兰尼斯特（尼古拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）试图召集河间地驻军北伐异鬼，却发现艾德慕·徒利（托比亚斯·门基斯 Tobias Menzies 饰）已经包围了奔流城。
彼时，还只是一个乞丐的少年陈皮阿四因一句谶语决定开始 “一百文，杀一人”的买卖。被黄葵帮炮头屠尽满门的渔家少年春申，成为了他第一个顾客。然而，春申只有99文钱，陈皮阿四少一文都不杀。当春申用生命换来这一文钱时，陈皮阿四为春申的复仇也开始了…….
根据罗伯特·鲍斯威尔的系列短篇故事改编，7个不同的故事衔接在一起探索人生的幻想与现实、记忆与历史的区别，以及人类处境的快乐与痛苦。
青年作家张三石十年前写出了他的成名作《在时间的尽头吃一碗阳春面》，凭借它买下了自己的第一套房子。如果一本书可以挣一套房子，那么十本呢？于是他开始同时写十本小说，不出所料，九年之后他破产了！现在的张三石只想活下去，于是做出了一个影响他一生的人生决定——租房！这样，他认识了他的三个室友：主播薇薇、IT男大雄，职场菜鸟平凡，北漂合租的日子从此开始了。
呼——许久之后，郑武才重重吐出一口气。
胖女孩欲桓是一个胖胖圆圆能吃能玩的女孩,不同于别的胖女孩,她敢于面对生活,即使不受男生喜欢,也能玩的很嗨。有一天奇迹发生在了她的身上,她穿越回了唐朝，在这里她遇到了对她万分疼爱的寿王李瑁。欲桓在现代从来没有一个人跟他表白,在这里她第一次感受到了爱情的存在，于是成为了寿王妃,开元二十五年武惠妃逝世,寿王寿王妃二人前去拜见唐玄宗,唐玄宗悲痛欲绝,看到欲桓后感觉自己梦中女子出现在了自己眼前,眼神透出淡淡的爱意,心里想要的就是欲桓,可欲桓现在是自己儿子的妃子,该如何去争去夺,旁边的董贵妃把这一切看在眼里,一心想成为皇后的她会去怎么做,一场剧烈的夺桓之战正式拉开......
事缘诸葛神侯夜观天象之时，发现自身将有一大劫降临，另一方面，邪派高手上官苍穷，因曾败于诸葛神侯手下，故一心想复仇，矢誓要坐神侯之位，而他苦待多年，终于等到诸葛神侯气数最弱之时，遂密谋一举而杀诸葛神侯，而诸葛神侯也深知自己若不在人世，则定必剧盗蜂起，其势不可收拾，苦思之下，决定兵行险着，布下一假死之局，暗中却策令已退隐的四大名捕回京，以代其位，希望将影响减至最低，此外，另一邪派高手胡天龙因多年前被诸葛神侯赶出中原，远赴日本，并收得日本人古月正文为徒，并曾立誓中原有诸葛神侯一日，便不再踏足中原半步，此时为想回归中土，遂遣其弟子，古月正文到中原杀诸葛神侯，于是，便引出一连串勾心斗角，悬疑诡秘，迂回曲折的故事。
「任時光匆匆流去，我只在乎你…」
Since the 1920s, the influx of Western journalists into China has been like crucian carp crossing the river, but as far as the social status at that time is concerned, no one can expect Aban to match it. Aban is naturally competitive and can't compete for emergencies in the front line, but his real advantage lies in his extensive upper-level relations. The top level of the Chinese government and the top level of Japan, the United States, Britain, the Soviet Union and other countries in China are full of his personal friends. At the beginning, the national government wanted to expel him from the country, but later, all four families took him as their guest of honor. Japan attaches more importance to the fact that the top leaders of various factions and departments in civil and military affairs are eager to break through his threshold. The Soviet Union was also interesting. While setting off a wave of criticism of Aban, it sent an ambassador to talk with him in secret and entrusted him with conveying high-level meanings. As for the United States and Britain, it goes without saying. The importance of Aban lies in the fact that his role has completely gone beyond that of a mere reporter. To the U.S. Government, he is an unpaid senior intelligence agent, providing top secret information free of charge, weighing more than any official spy. To the rest of the governments, he is a supernumerary U.S. Diplomat, and his role is often beyond the reach of U.S. Ambassadors. Therefore, between Japan and the United States, between China and the United States, and between the United States and the United States, he has to send messages frequently. As for the infighting among various countries, they should also reveal their secrets to him so that they can be published in the New York Times and confuse each other. For example, before Japan officially joined the Axis, because of the confrontation between the two factions at the highest level, some people secretly told each other the news, which made him get a global super scoop for no reason. All this, of course, depends on the golden signboard of the New York Times and its inexhaustible resources.
Manual mode, can pursue the hazy feeling of virtual focus
