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　　解放后，原先讹传在部队牺牲的阿平回故乡成了领导干部，他矢志不渝，这辈子非阿慧不娶。然而，先是阿慧执意不愿连累阿平，继而冯阿大突然归来，加上女大学生对阿平的真诚仰慕，以致好事一波三折，一误再误。待到历经磨难，两个爱深情切的人终于在悠悠的古镇上共筑爱巢时，阿慧却积劳成疾，In the system, how do we need to reuse an object, if we repeatedly use the new operator to create the object at this time, it is a great waste of system resources. Since we use the same object every time, why can't we share it? This is also the reason why the model of enjoying yuan appears.Aban's dealings with various Japanese figures are even more brilliant. The Japanese in his works, Including Japanese Foreign Minister Yoyo Matsuoka, Minister to China Shigemitsu Mamoru, Consul General to Nanjing Sumomikiro, Commander-in-Chief of the Fleet in China Yanze, Japanese Minister-at-Large Kato, Commander of the South Fleet Iwamura Kiichi, Commander of Japan's Third Fleet Lieutenant General Hasegawa, Commander of the Shanghai Dispatch Force Ishiguro Matsui and his subordinate Colonel Hashimoto Shinichiro. He is especially concerned about Ishiguro Matsui, who is the primary responsible person for the Nanjing Massacre, and many details are rare in domestic publications. It is generally believed that Matsui and his 80 officers were recalled by Japan because of excessive negative reports on Japan after the Nanjing Massacre. After reading this book, it is known that the main reason is related to the sinking of the US ship Panai by Japanese planes in the Yangtze River. The report that dragged Ishiguro Matsui off the horse was published in the New York Times by Aban and caused a sensation. Aban also depicted a bunch of inferior Japanese characters, including cunning, loyalty, stupidity, shrewdness, aggressiveness, gentleness... no longer one thousand people, exaggeration and distortion.　　来自海峡两岸的男女主人公在这里偶然邂逅：“文”是乌镇古书图书馆的管理员，与老馆长共同肩负着修复古籍善本的使命；“英”是来自海峡彼岸的时装设计师，就在这古书院的书架间与“文”一见钟情，于是一段欲罢不能的情感历程就在这千年历史的映照下激情上演。巨大的时空跨越，鲜明的文化分野，让男女主人公在此间迷途难返、欲罢不能。黄瓜看着弟弟愁眉苦脸的样子，悻悻地笑道：幸亏我今年没考中，不然就跟你一样了。捷报连连，会稽某人却隐隐担忧。