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　　李时言在剧中饰演纯情男朴东哲，一方面是充满魄力的警察面貌，一方面是在心爱的女人面前就会融化的内柔外刚角色。"In order to bring back these three children, I built ten official seals alone. I can hardly remember how many people I dealt with back and forth." Liu Eryong recalled that the three children were practicing weightlifting in a sports school in Guangxi at that time, but they were slow to achieve results. It is time to leave school when they are old. For those who have not achieved results, the greatest possibility is to go directly to the society to work to earn money and bid farewell to weightlifting completely. Seeing that the three children actually have potential and meet the requirements of small levels, he proposed to introduce the three children back to Qingdao. "The introduction of children is not a trivial matter. In case they come to become champions, Guangxi Sports Bureau will hold the local coaches accountable. Therefore, the leaders of the Sports Bureau found the five coaches of the three children to sign and stamp their respective signatures to express their willingness to give up the children. The Municipal Sports Bureau and the Provincial Sports Bureau instructed them to sign and enter Shandong after the release. If the three children cannot practice, we will also bear certain responsibilities. Finally, we will cover ten chapters and have been busy for more than a month. The three children will be brought back. " Today, Liu Eryong also thinks that it was a very successful aid for them. Three Guangxi children came to Qingdao to study hard.《浴血黑帮》讲述了战后伯明翰地区传奇黑帮剃刀党的故事。When his father came to play, he was angry with his father: "why did you go there then? Why don't you start a business in the sea?" If you had gone to sea in those days, would my family be like this? "A few days ago, I met him in the elevator, and he sighed," Now the class is solidified, and it is difficult for poor families to have a son. "It is true that it is difficult for poor families to have a son.家庭情感电视剧《毕有财》以跨年代的平民史诗叙述方式，展示了中国社会解放前后至今六十多年的岁月变迁，记录了“毕家大院”在这一历史过程中发生的各种悲欢喜乐。在电视剧《毕有财》中，通过对北京城内“毕家大院”一户人家的描写，刻画了毕有财这样一个平民的形象，浓缩展现了从解放前后至二十一世纪初，近六十年的岁月变迁，记录了一个普通人、一户普通人家面对亲情、爱情、友情的心路历程和悲喜人生。爱丽丝和李聪云一走，陈启就发现大家都在盯着他看。跟随两个疏远的兄弟姐妹回到他们曾经熟悉和热爱的大牧场。